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1968年生于山东东明, 1990年毕业于山东师范大学美术系, 1991-1993研修于中央美术学院, 现居于北京,职业画家。 他是公认倡导中国“后现代抽象”的运动者,是过去几年蓄势待发的中国领先的当代艺术家之一。庞在中央美术学院,山东师范大学学习油画和中国水墨画,在那里他达到了掌握色彩表现力和形象的能力,他早期参与倡导新表现主义运动,之后精致且不间断的线条和形式的探索,逐渐融合了东方古典及抽象绘画的精髓。在2000年中期,他逐渐形成独特的个人绘画风格,现在他的作品是以丰满、俏皮的人物和动物形态的有机形式呈现最为著名。
主要参展经历:
PANG YONGJIE
In his early work, Pang Yongjie found in the folk maternal art a constant source of inspiration and by using strong forms, colors, volumes and lines he wished to express through half true to nature shaped women - with generous breast and hips, bright lips on a round face, fleshy curves, reminding of the famous Tang beauties - a cheerful visual appreciative experience, a "feast of vision". As his art evolves from folk decorative art combined with visional study of color in the modern western world, the structure of his paintings reveals a continuous refinement, using simple lines and forms to express the complex relation between the space and the object - continuity between flat and cubism, lines and color blocks. The difference of perspective brought a different attitude toward the observation of the object and the folk factor gradually disappeared. The different thinking on maternal figure lead Pang's painting aesthetic into more free and subjective shapes. Here the object does not always appear entirely, however the integrity of the object is much more visible. Accordingly the unique position of each character got special meanings in the arrangement of the complex space layers and reveal Pang's sincerity inclination of his heart toward an expression of amorous feeling and sensual pleasure. Pang's stainless steel women with a bulgy metal feeling display the visual power of lines while exploring the tensional effect of the volume keeping the intimacy and interaction with their surroundings.
The sculpture Pang currently constructs, widely to be perceived as a woman, is actually a gender neutral person proclaims Pang. “Many people believe the image is a woman, however, that is not a woman but a neutral, a broader concept or only a self-portrait that is something private,” said Pang in an interview. Pang also says that as this figure went from resembling a woman to looking like an “animal” – Pang says that he designed to look exactly how he felt it should and then would revisit it possible months later to see if it still reflected the way he felt, if it did he would produce, if not he would start over. Pang uses his inspiration from within and his Chinese upbringing shows that. He has used the same basic shapes to depict a variety of emotions, which are brought out both by the artist and the observer. Your mood changes from sculpture to sculpture and your emotions are twisted around each time you go to revisit a piece. Looking at Pang’s work is a journey through a mans vision of all men, women, and animals.
Main Exhibitions
2013 Exhibition for Pang Yongjie and Wang Xiaohui, Prom Gallery, Munich, Germany
Dialogue of Volume, Museum of Central Academy of Fine Art, Beijing, China
2012 “No.2 China On Going”, Asia Art Pier Gallery, New York
“China Contemporary Sculpture”. Hamburg, Germany
2011 Guest Exhibition: The City has no Traffic Lights
Opening Exhibition of Enjoy Museum of Art
2010 Contemporary Chinese Art – State of the Tao, Lehman Colleage Art Gallery
Guest on The 1 st Exhibition of Contemporary Art of Heilongjiang
2009 Chinese Contemporaray Art Exhibition, Jan Van Der Togt Art Gallery, Amsterdam, Netherlands
Xun Dao: Searching for Spirituality in Contemporary Chinese Art, New York
2008 Solo exhibition, Hong Merchant Gallery, Shanghai
2007 Group exhibition, Linda Art Museum, Beijing
2006 Invitation exhibition, Art Document, Wuhan
Shanghai Art Salon, American Kalo Gallery, Shanghai
Asia Scene "New Form and Appearance" exhibition, Taiwan
Chinese Contemporary Art Exhibition, Amsterdam, The Netherlands
2005 Willem Kerseboom Gallery, solo exhibition, The Netherlands
China Today Gallery, solo exhibition, Belgium
"Pavilion" Contemporary Art Exhibition, Beijing
"Simple Style, Hong Kong" HK International Art Exhibition, Hong Kong
"Degenerate Dharma" Beijing-Tokyo Art Projects Exhibition, Tokyo, Japan
2004 "10& Ten" Song Zhuang artists group show, Beijing
Solo exhibition, Hong Merchant Gallery, Shanghai
2003 "Expression & State" Contemporary Art Exhibition, Beijing
Solo exhibition, Antwerp, Belgium
2002 Provoost Art Gallery, solo exhibition, Rotterdam, The Netherlands
Hui Chao Modern Art Exhibition, Beijing
2000 Solo exhibition, Hamburg, Germany
1999 Solo exhibition, Hong Merchant Gallery, Shanghai
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